Baarsen, R.J. & Berge, G. van.
Baarsen, R.J. & Berge, G. van. Juwelen/ Jewellery 1820-1920. Rijksmuseum Amsterdam/ Gary Schwartz/ SDU. 1990. 85 p. Ills. Paperback. Naam op schutblad. [107553]

Barbero, Luca Massimo.
Barbero, Luca Massimo. Ettore Sottsas: The Glass. Skira. 2017. 327 p. Ills. Softcover. [110265]

Beaucamp-Markowsky, Barbara.
Beaucamp-Markowsky, Barbara. Meissener Tabatieren des 18. Jahrhunderts. ISBN: 9783777421322 Hirmer. 2013. 427 p. Ills. Cloth/ dustj. [100774]

Becker, Carl; Warncke, Carsten-Peter
Becker, Carl; Warncke, Carsten-Peter Angewandte Kunst Vom Mittelalter Bis Zur Renaissance. Treasures of the Middle Ages and Renaissance: Eight centuries of European applied artsWhen Kunstwerke und Geräthschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought wasa small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication givesa comprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design - the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first - in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals forKunstwerke und Geräthschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the work's main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance.This complete reprint was created on the basis of an original copy in the Württembergische Landesbibliothek in Stuttgart.Text in English, French, and German. Taschen America, 2011. Folio. 408 p. Ills. Hardcover/ dustjacket/ in box. Box damaged. [110227]

Beekhuizen, J.F.H.H.
Beekhuizen, J.F.H.H. 19e en 20e eeuwse tinnen bouillonpotten, een verzameling. Amsterdam, 2006. 160 p. Ills. Hardcover. [101132]

Benkert, Almut.
Benkert, Almut. Embossing, Punching and Guilloche Engraving/ Prägen, Stanzen, Guillochieren. Contemporary Artisanal Jewellery Production/ Die zeitgenössische Schmuckmanufaktur. Arnoldsche. 2017. 156 p. Ills. Softcover. [109776]

Benton, Charlotte, Benton, Tim & Wood, Ghislaine (Ed.).
Benton, Charlotte, Benton, Tim & Wood, Ghislaine (Ed.). Art Deco 1910-1939. V&A. 2003. 464 p. Num. col. plts. & ills. Cloth/ dustj. [65195]

Booij, Lennart
Booij, Lennart Lalique in Nederland. De ontvangst van het werk van René Lalique (1860-1945) in Nederland. Onderzoek naar objecten van de belangrijke Franse juwelenontwerper en glaskunstenaar (1860-1945) en de receptie van zijn glaswerk in Nederland. Waanders/ Gemeentemuseum Den Haag. 2013. 223 p. Ills. Harde kaft. [108473]

Borsi, Franco & Godoli, Ezio.
Borsi, Franco & Godoli, Ezio. Paris 1900: Architecture and Design. New York, Rizzoli. 1978. 278 pp. 350 ills., 85 in colour. Hardcover/ dustjacket. Dustj. damaged. [65051]

Borsi, Franco.
Borsi, Franco. Bruxelles 1900: Horta - van de Velde - Hankar - Serrurier-Bovy et les autres createurs de l'art nouveau. Bruxelles, Marc Vokaer. 1974. 260 p. Ills. Hardcover/ dustjacket. Dustj. sl. discol. and 1 tear 1 cm in front. [107731]

Boterenbrood, Helen.
Boterenbrood, Helen. Weverij De Ploeg van 1923 tot 1957. Nederlands Textielmuseum. 94 p. Ills. Paperback. [109460]

Caeymaex, Martine.
Caeymaex, Martine. Art Deco in Europa. Decoratieve tendensen in de toegepaste kunst rond 1925. Vereniging voor Tentoonstellingen van het Paleis voor het Paleis voor Schone Kunsten, Brussel, 5 maart - 28 mei 1989. Snoeck-Ducaju & Zoon. 283 p. Ills. Paperback. Name on french title. [28596]

Chadour-Sampson, Beatriz & Hosegood, Janice.
Chadour-Sampson, Beatriz & Hosegood, Janice. Barbara Cartlidge and Electrum Gallery. A Passion for Jewellery. Arnoldsche. 2016. 296 p. Ills. Hardcover. [108671]

Dam, Cees.
Dam, Cees. Ontwerpen in glas. Variaties op een ovaal. Tekst: Karin Evers. Met tekening van Cees Dam op schutblad. Dam & Partners, Architecten. 2006. Ills. Softcover. [99791]

Deckers, Peter.
Deckers, Peter. Contemporary Jewellery in Context. A Handshake Blueprint. Arnoldsche. 2017. 128 p. Ills. Hardcover. [110034]

Dewald, Gabi; Nievergelt, Frank; Weinberg, Larry;
Dewald, Gabi; Nievergelt, Frank; Weinberg, Larry; Sonja Duò-Meyer. Ceramics. Arbeiten 1992-2017. *This first monograph on Sonja Duò?-Meyer presents the development of a career in contemporary ceramic art now spanning over forty years Thanks to a conscious reduction in form and color, the ceramics by the Swiss artist Sonja Duò-Meyer (b. 1953) unfurl incredible expressive power. Their flowing silhouettes appear almost meditative, fixed points emerge in the light asymmetry of their forms, and a sophisticated play on light and shade develops. Surfaces, material, corpora and technique are interwoven through a minimalistic design concept that celebrates stillness and the concept of the void. Photographs of objects as well as exhibition views show vessels, objects and wall installations from 1992 to 2017. A particular highlight are works and ideas from the ceramic center Tajimi, where, as artist in residence, the artist engaged intensively with Japanese techniques. With exciting illustrations and informative essays, this first monograph on Sonja Duò-Meyer presents the development of a career in contemporary ceramic art now spanning over forty years.Text in English and German. Arnoldsche. 2017. 160 p. Ills. Hardcover. [109732]

Elenskaya, Marina & Decker, Aaron Patrick.
Elenskaya, Marina & Decker, Aaron Patrick. Ruudt Peters: Bron. English text. Arnoldsche. 2017. 270 p. Ills. Hardcover. [109902]

Ellwanger, Volker; Nievergelt, Frank;
Ellwanger, Volker; Nievergelt, Frank; Leidenschaft Für Keramik. A comprehensive overview of the renowned Frank Nievergelt Collection of contemporary ceramics - with approximately 100 pieces by forty-one international artists. Accompanies the exhibition Passionément céramique at Musée Ariana, Geneva, Switzerland, April to September 2016* The museum's curator Anne-Claire Schumacher adds vital information about the artistsWith passion and expert insight, Frank Nievergelt compiled an impressive collection over forty-five years of more than 900 pieces of contemporary ceramics, ranging from vessels and sculptures via display pieces to monumental works. Over one hundred leading figures of the international ceramic scene from 1970 to 2015 are represented in the collection, the emphasis of which is on newer objects. In this publication, the most significant pieces of this renowned collection are presented in a selection of forty-one artists, hence impressively highlighting the unaffected beauty and diversity of contemporary ceramic art. Moreover, Nievergelt introduces the artists individually, enhanced with reflections from Anne-Claire Schumacher (curator of the Musée Ariana) and Prof. Volker Ellwanger. The catalog documents the latest inventory of the Musée Ariana in Geneva.Text in German and French. Arnoldsche. 2016. 224 p. Ills. Hardcover. [108609]

Fahn, Monika
Fahn, Monika Doris Betz: Schmuck und Zeichnung/ Jewellery and Drawing. Presents a selection of Betz's jewelry alongside original design sketches for the very first time - Inspired by natural forms, Betz's award-winning jewels are challenging both to create and interpret Doris Betz (b. 1960) is devoted to exploring linear form in her work. In her drawings she fathoms the depths of the potential of the line and the possibilities of the material silver, which she then contorts, turns, rolls and turns again, finally lacquering, oxidizing or patinating with a flame to create the final jewel. Unforeseen fragile-looking and poetic formations emerge as Betz overlaps, knots and layers her material, rendering visible her jewelry's relationship to the vegetal language of natural forms - a source of inspiration for the artist. This book presents a selection of her jewelry works together with drawings from 2009 to 2016 for the very first time. With essays by: Monika Fahn, Pravu Mazumdar, Ira Mazzoni and Olga Zobel. Exhibition: Bayerischer Kunstgewerbeverein, Munich (DE), 23. 2. - 6. 4. 2017. Arnoldsche. 2017. 88 p. Ills. Softcover. [109741]

Fahn, Monika; Künzli, Otto; Veiteberg, Jorunn; Zaharias-Doff, Ga
Fahn, Monika; Künzli, Otto; Veiteberg, Jorunn; Zaharias-Doff, Gabriella; Mari Ishikawa. Jewellery & Photography. Where Does the Parallel World Exist?. Arnoldsche. 2016. 144 p. Ills. Hardcover. [106611]

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