Bindman, David.
Bindman, David. Het complete grafische werk van William Blake. Amst., Meulenhoff. 1978. 492 pp. 765 illustraties. Linnen/ stofomslag. Stofomslag beschadigd. [16610]

Blayney Brown, David, Concannon, Amy & Smiles, Sam.
Blayney Brown, David, Concannon, Amy & Smiles, Sam. Late Turner: Painting Set Free.The EY Exhibition. Tate Britain, London. 10 Sept 2014 - 25 Jan 2015. 256 p. Ills. Paperback. [108371]

Blotkamp, Carel e.a.
Blotkamp, Carel e.a. Kunstenaren der idee. Symbolistische tendenzen in Nederland ca. 1880-1930. Haags Gemeentemuseum. 1978. 4to. 200 p. Ills. Paperback. Licht versleten op de kanten. [37675]

Boven, Margriet van & Bax, Marty.
Boven, Margriet van & Bax, Marty. Bloeiende symbolen. Bloemen in de kunst van het fin de siècle. Den Bosch, Noordbrabants Museum. 1999. 128 p. Ills. Linnen/ stofomslag. [102492]

Brederode, Désanne van.
Brederode, Désanne van. Mijn denken is een hartstocht. Een bloemlezing uit de filosofie van de negentiende eeuw. Amst., Contact. 2002. 557 p. Gebonden/stofomslag. [17149]

Busken Huet, Conrad.
Busken Huet, Conrad. Een vastgeraakte lokomotief. Een portret in brieven. Uitgekozen en van aantekeningen voorzien door Olf Praamstra. 1ste druk. Amsterdam, L.J. Veen. 1997. 318 p. Gebonden in linnen met stofomslag. [31857]

Clark, T.J.
Clark, T.J. Le bourgeois absolu. Les artistes et la politique en France de 1848 à 1851. Art édition. 1992. 309 p. Paperback. [107742]

Coster, Wim.
Coster, Wim. De barones en de dominee. Een verboden liefde in de negentiende eeuw. Balans. 2016. 288 p. Paperback. [107161]

Dixon, Roger & Muthesius, Stefan.
Dixon, Roger & Muthesius, Stefan. Victorian Architecture. With a short dictionary of architects and 250 ills. * World of Art. Reprint. Thames & Hudson. 1993. 288 p. Paperback. . [77850]

Druten, Terry van, Dijk, Maite van & Sillevis, John.
Druten, Terry van, Dijk, Maite van & Sillevis, John. De aquarel. Nederlandse meesters van de negentiende eeuw. Teylers Museum/ Mesdag Collectie. THOTH. 2015. 95 p. Ills. Paperback. [108373]

Eck, Caroline van.
Eck, Caroline van. Organicism in Nineteenth-Century Architecture. An inquiry into its theoretical and philosophical background. Amsterdam, Architectura & Natura. 1994. 363 p. Ills. Paperback. Traces of use. Sl. discoloured. With graphite annotations mostly centered around page 40-50 and 100-120. [107631]

Erftemeijer, Antoon.
Erftemeijer, Antoon. O muze! Inspirerende personen in de Nederlandse kunst sinds 1850. Frans Halsmuseum/ De Hallen Haarlem. 2015. 108 p. Ills. Paperback. Lichte gebruikssporen. [107715]

Erftemeijer, Antoon.
Erftemeijer, Antoon. Groots en meeslepend. Sublieme landschappen uit de Nederlandse Romantiek. Frans Halsmuseum/ De Hallen Haarlem. 2009. 111 p. Ills. Paperback. [104581]

Gott, Ted.
Gott, Ted. The Enchanted Stone: The Graphic Worlds of Odilon redon. National Gallery of Victoria. 1990. 152 p. Ills. Softcover. [104821]

Ham, Gijs van der & Leeuw, Ronald de.
Ham, Gijs van der & Leeuw, Ronald de. Nederlandse kunst in het Rijksmuseum 1800-1900. Waanders/ Rijksmuseum Amsterdam. 2009. 287 p. Ills. Linnen/ stofomslag. [101924]

Hanson, Brian.
Hanson, Brian. The Golden City: Essays on the Architecture and Imagination of Beresford Pite. The Prince of Wales's Institute of Architecture. 1993. 124 p. Ills. Paperback. [103137]

Honings, Rick & Zonneveld, Peter van.
Honings, Rick & Zonneveld, Peter van. De gefnuikte arend. Het leven van Willem Bilderdijk. Prometheus/ Bert Bakker. 2013. 653 p. Harde kaft/ stofomslag. [99371]

Larsson, Carl.
Larsson, Carl. Carl Larsson: The Painter of Swedish Life. Text in English and Japanese. Tokyo Metropolitan Teien Art Museum. 1994. 241 p. Ills. Paperback. [106180]

Le Gray, Gustave.
Le Gray, Gustave. Gustave Le Gray: Seestücke/ Seascapes. Photographs. Gustave Le Gray (1820-1884) is one of the heroes of early French photography. A pioneer of innovative processes, he also made history as an instructor for a whole generation of French photographers and the initiator and outstanding architectural photog rapher of the mission héliographique documenting France's historical monuments. Le Gray, who originally studied painting, is also considered to be the founder of artistic photography. He was one of the first to follow the painters to Fontainebleau to do his own photographic studies of nature. In the mid-1850s, he started to produce sea and cloud studies in Normandy and on the western coast of the Mediterranean; these made him an overnight sensation among amateurs and collectors and earned him the admiration of the Impressionists. Fleeing from creditors, in 1860 he set off with Alexandre Dumas for Italy. He spent the last 20 years of his life in Cairo, taking photos and working as a drawing tutor. Today, Le Gray's prints are among the most expensive in the world.. A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. Schirmer/Mosel. 2015. 160 p. Ills. Hardcover/ dustjacket. [106603]

Loos, Wiepke, Rijdt, Robert-Jan te & Heteren, Marjan van.
Loos, Wiepke, Rijdt, Robert-Jan te & Heteren, Marjan van. Langs velden en wegen. De verbeelding van het landschap in de 18de en 19de eeuw. Rijksmuseum Amsterdam. 28 november 1997 t/m 3 maart 1998. 384 p. Ills. Softcover. [71372]

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