Aaftink, Christel.
Aaftink, Christel. Veranderend Amsterdam: Amsterdam in Paintings. Nederlands/ Engelse tekst. Kunsthandel Frans Jacobs. 1997. 104 p. Ills. Harde kaft/ stofomslag. Stofomslag licht beschadigd. [109118]

Adamson, Walter L.
Adamson, Walter L. Embattled Avant-Gardes. Modernism's Resistance to Commodity Culture in Europe. University of California Press. 2007. 435 p. Ills. Hardcover/ dustjacket. [102907]

Adrichem, Jan van & Martis, Adi.
Adrichem, Jan van & Martis, Adi. Reflecties. Reflecties op de collectie van het Stedelijk Museum Amsterdam. nai 010. 2012. 643 p. Ills. Softcover. [107922]

Adrichem, Jan van.
Adrichem, Jan van. De ontvangst van de moderne kunst in Nederland 1910-2000. Picasso als pars pro toto. Amst., Prometheus. 2001. 583 pp. Ills. Paperback. [12968]

Aescht, Erna & Ridler, Gerda.
Aescht, Erna & Ridler, Gerda. Mythos Schönheit: Facetten des Schönen in Natur, Kunst und Gesellschaft. Landesmuseum Linz. Hatje Cantz. 2015. 303 p. Ills. Hardcover. [105231]

Albu, Christian & Uecker, Jacob.
Albu, Christian & Uecker, Jacob. Reflections on the Self from Dürer to Struth. Christie's London. 2015. 220 p. Ills. Hardcover. [108403]

Alpers, Svetlana.
Alpers, Svetlana. The Vexations of Art. Velázquez and Others Yale University Press. 2005. viii-298 p. Ills. Hardcover/ no dustjacket. Name of former owner on front endpaper. [109425]

Alpers, Svetlana.
Alpers, Svetlana. The Art of Describing. Dutch Art in the Seventeenth Century. University of Chicago Press. 1983. 273 p. Ills. Hardcover. No dustjacket, name on flyleaf. [50576]

Ang, Tiong & Pol, Bik Van der a.o.
Ang, Tiong & Pol, Bik Van der a.o. On Mobility. Text by Dirk van Weelden. De Appel Amsterdam. 2006. 167 p. Ills. Paperback. [91953]

Archer, Michael
Archer, Michael Art Since 1960: The Real and Its Object; 2. The Expanded Field; 3. Ideology, Identity and Difference; 4. Postmodernisms; 5. Assimilations; 6. Globalization and the Post-Medium Condition. Reprint. Thames & Hudson. 2006. 256 p. Ills. Softcover. [108095]

Ayas, Defne, Hoare, Natasha & Kleinman, Adam.
Ayas, Defne, Hoare, Natasha & Kleinman, Adam. Art in the Age of ... Rotterdam, Witte de With. 2015. 175 p. Ills. Paperback. [107796]

Baker, George, Bal, Mieke, Acconci, Vito & Bourgeois, Louise.
Baker, George, Bal, Mieke, Acconci, Vito & Bourgeois, Louise. Cornerstones. Which artists have laid the foundations for contemporary cultural production? Between 2008 and 2009, Witte de With Center for Contemporary Art held a monthly lecture series, posing this question to leading art historians and critics, each of whom was asked to speak on the work of an artist of their choosing. Sternberg Press. 2011. 287 p. Ills. Paperback. [108465]

Baker, George; Goldstein, Ann; Maltzan, Michael
Baker, George; Goldstein, Ann; Maltzan, Michael Regen Projects 25. Founded by Stuart Regen in 1989 and directed by Shaun Caley Regen for the last quarter-century, Regen Projects has launched careers with its innovative and critically acclaimed exhibition program, earning a reputation for incisive vision in its representation of emergent as well as established artists worldwide. This illustrated volume presents the full run of exhibitions and projects spanning 25 years, together with archival material documenting the cultural context in which the gallery has operated, a foreword by George Baker and essays by Ann Goldstein and Michael Maltzan. Prestel. 2015. 464 p. Ills. Hardcover. [105339]

Balzer, David
Balzer, David Curationism. How Curating Took Over the Art World and Everything Else. Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' has become a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows in a way that can eclipse the contributions of individual artists. At the same time, curatorial-studies programs continue to grow, and businesses are adopting curation as a means of adding value to content. Everyone, it seems, is now a curator.But what is a curator, exactly? Pluto Press. 2015. 144 p. Paperback. [104935]

Baragli. Sandra.
Baragli. Sandra. De veertiende eeuw. Kunstenaars en scholen, onderwerpen en technieken. Ludion. 2006. 8vo. 384 p. Ills. Harde kaft. [109044]

Barbe-Gall, Françoise.
Barbe-Gall, Françoise. How to understand a painting. Decoding symbols in art. Frances Lincoln. 2010. 311 p. Ills. Softcover. [107875]

Barber, Tabitha & Boldrick, Stacy.
Barber, Tabitha & Boldrick, Stacy. Art Under Attack. Histories of British Iconoclasm. ISBN 9781849760300 Tate Publishing. 2013. 187 p. Ills. Paperback. [100824]

Barents, Els (red.).
Barents, Els (red.). De kunst van het verzamelen. 20e-eeuwse kunst uit Nederlandse musea. Ludion/ Paleis voor Schone Kunsten Brussel. 1997. 252 p. Met 148 afbeeldingen. Harde kaft/ stofomslag. Licht versleten op de kanten. [39808]

Bassil, Karl & Maasri, Zeina.
Bassil, Karl & Maasri, Zeina. Mapping Sitting: On Portraiture and Photography. Fondation Arabe pour l'image. Mind the gap. 2002. Ills. Cloth/ dustj. Small text on flyleaf. [105763]

Basualdo, Carlos, Battle, Erica F & Tomkins, Calvin.
Basualdo, Carlos, Battle, Erica F & Tomkins, Calvin. Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. Philadelphia Museum of Art. 2012. 432 p. Ills. Cloth/ Slipcase. [106865]

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